Note – all pieces marked with (*) belong to an ongoing or complete series (Wax Lyrical, Wax Poetic etc.), and all pieces in bold are Princeton Application materials, with additional information, perusal scores, excerpts, and media in blog posts on the homepage
Solo music (& solo+accompaniement, solo+ensemble)
| Title | Duration | Instrumentation |
|---|---|---|
| ljubav izmedu zvijezda (love between stars) (2023) | 10 min | Violin, Flute, and Double Bass obbligati – Reduced String Orchestra |
| a Poorly Guided Meditation (2022) | 8 mins | Accordion solo + Percussion Ensemble and Woodblock Array |
| Wax Eloquent (2022) * | 8 min | Piano solo |
| climbing the corporate ladder (2022) | 7 min | Piano solo |
| P is for Piano (2022) | 5 min | Piano solo |
| Forward Escape (2021) | 5 min | Violin solo |
| An Inkling, a Drone, a Sinking Feeling (2020) | 7 min | Violin + Piano |
| Choronzon v.191.c (2019 – from Crossing the Abyss) * | 11 min | Electronics |
| DigitalFiddler (2019) | 7 min | Violin solo – Fixed Media |
| Neon (2019) | 7 min | Violin + Piano |
Chamber Music
| Title | Duration | Instrumentation |
|---|---|---|
| Konstrukcija no. 1 (2024) * | 2-20 min | String Quartet |
| Icaro no. 1 (2024) * | 15-30 min | Flute+Soprano Sax, Alto Sax+Tenor Sax, Violin, Cello, Piano – Polytempo click-tracks |
| The Thunder: Perfect Mind (2024) | 40-45 min | Clarinet+Bass Clarinet, Violin, Piano, Cello+Voice – Electronic mix |
| to be an effervescent (2024) | 10 min | Flute+Soprano Sax, Alto Sax+Tenor Sax, Violin, Cello, Piano – Polytempo click-tracks |
| Best Breakfast for Mind and Body (2023) | 8 min | Bb Clarinet Quartet – Fixed Media |
| Sanchin (2023) | 20 min | 18 Violins in a circle |
| De Materia Medica (2023) | 2-5 min | Bass Clarinet, Cello; players on the ground on their backs, facing East and West – Fixed Media |
| Diptych (2023) | 10-12 min | Clarinet+Bass Clarinet, Violin, Cello, Piano |
| En Route (to an installation in Brooklyn) (2023) | 7-8 min | Clarinet, Violin, Piano, Cello – Pre-recorded Fixed Media (creates electronic “Messiaen Octet”) |
| Wax Lyrical (2023, rev. 2024) * | 45 min | two Alto Sax, Bass Clarinet, Violin + Spoken Word dialogue, Piano – Cowboy Hat |
| I need to get in contact with my internet service provider (2023) | 8 min | Tenor+Bari Sax, Electric Guitar, Piano, Mixed Percussion – Fixed Media (optional) |
| Black Dahlia (2023) | 12 min | Solo Dance (with demon+angel masks), Live Electronics, Fixed Media, and Generative Video |
| live breathe die (2022) | 8 min | String Quartet |
| Saturnalia (2022) | 10 min | Clarinet+Bass Clarinet, Violin, Cello, Piano |
| PUNK (2021) | 8 min | Wind Quintet |
| Facile (2021) | 6 min | Violin, Viola duo |
| a Substitute for Understanding (2021) | 8 min | Violin obbligato, Cello Quartet (installation) – Live Electronics (requires the construction of an enclosed, soundproof room for the audience to enter, wherein sound is projected through the vibration of the walls) |
| Crossing the Abyss (2020, rev 2021) | 45 min | Flute, Tenor Sax, Bass Clarinet, Trumpet, Marimba, Multi-Instrument Percussion, Piano, Violin, Viola, Cello, and Violin Solo – Fixed Media and Acousmatic interludes (instrumentation reduces on each movement until the Violin Solo + electronics) |
| Phlöe (2020, rev 2021) | 6-8 min | Flute, Trumpet, Clarinet Bb, Violin, Viola, Cello |
| RootFeelings (2019, rev 2020) | 10 min | Violin, Piano, Timpani |
| Anomalous Magnetic Dipole Moment (AMDM Quartet) (2019) | 6 min | String Quartet |
Large Ensemble
| Title | Duration | Instrumentation |
|---|---|---|
| Wax Wroth (2023, rev. 2024) * | 8 min | Flute+Piccolo, Oboe, Clarinet(Bb)+Bass Clarinet(Bb), Bassoon, French Horn 3 multi-instrument percussion: Soundproof boxes, Paper, Cup and Straw, Milkshakes, Electric Toothbrushes on Floor Toms, Voyager Golden Records soundbites, Radios, Backpack Zipper, Tuner, Kazoos, upside down Bicycle Accordion Obbligato Piano, Harp, Violin I, Violin II, Viola, Cello, Double Bass |
| Wax Poetic (2022) * | 8 min | Wind Symphony |
| Pluralities: M3 (2022) * | 5 min | Symphony Orchestra |
| Laniakea (2021) | 8 min | “Quasi-String Quintetestra” |
| Pluralities: M2 (2020) * | 3-5 min | Symphony Orchestra |
| Pluralities: M1 (2020) * | 8-10 min | Symphony Orchestra |
Works in Progress (misc.)
| Title | Duration | Instrumentation |
|---|---|---|
| The Major Symphony | 45-50 min | Symphony Orchestra – Polytempo click-tracks |
| The Minor Symphony | 20-30 min | Symphony Orchestra – Polytempo click-tracks, Generative Video projection |
| Concerto for Two Violins | 45 min | Violin duo + Symphony Orchestra |
| Icaro no. 5 | +1 hour | tbd |
| Icaro no. 4 | tbd | Piano Duo |
| Icaro no. 3 | tbd | Percussion Quartet |
| Icaro no. 2 | 10 min | tbd |
| Terence (opera) | tbd | Conventional Opera forces, miked Arbrasson, and Electronics – Tenor Lead – as Terence – Polytempo click-tracks – *Story of an Ethnobotanist in celestial combat with psychic entities, and prelude to the birth of the Archaic Revival, and Timewave Zero* |
| Prelude to the Book of the Law | tbd | String Quartet^2 (String Octet, separated on stage) – Polytempo click-tracks (tbd), Generative Video projection |
| Konstrukcija no. 2 | tbd | Piano and four performers |
| Public Address! | 5-7 min | For Soprano, Alto, Tenor, and Bass voice – Spoken word dialogue, wherein four speeches are delivered simultaneously. “Filler text” in alignment across ensemble, but content text completely unique to each performer. – Unified structure, distorted content |
| A Thousand Plateaus | 20 min | Mixed Chamber Ensemble – Polytempo click-tracks, Fixed Media – Operates as Wax Wroth #2 |
NBComp 